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Company Size Company Size: 1 - 25 26 - 99 - - 1, - 4, 5, - 9, 10, - 19, 20, or More. Get notifications on updates for this project. Get the SourceForge newsletter. The tempo changes quickly a few times. The best part of the song is 2 minutes in when he sings slowly with spacey sounds, gentle guitar and light drums. A 60's flavour follows with mellotron. It ends with waves of sound coming and going.
Barely 4 stars. A must for fans of both psychedelic music and mellotron. Groovy man!! This is some of that sticky icky stuff, although handed over in a quite recognisable setting.
No mirages here people! Most times, when I recommend albums that are groovy and psychedelic, they tend to be roaring wild and completely gone fishing, - yet with this Norwegian outing, you get something that relies just as much on symphonic sweeps of breezy music - to the simmering Germanic electronics that infested most of the Krautrock scene all through the 70s. Released in , this album sure sounds out of touch with the surrounding music scene.
As John points out in his review, you really get the feel of a late sixties album here. Ok, there's far more happening on the progressive front - meaning that you get your fair share of turnovers and quirky meddlesome pieces slicing their way into the midst of things.
Every track here hides something ethereal, hard rocking or even b-b-b-bibbedi-bubbly with sneaky old school almost Berliner school electronics dating back to a time of sabre-toothed tigers and early synthesizers running on coal and small children. I keep thinking King Crimson for some reason, and perhaps that is not such a bad reference after all.
In fact, if you can imagine the legendary In the Court of the Crimson King handed over in a looser and slightly more esoteric dressing, then you're just about halfway there.
The innovative usage of mellotron that Fripp conjured up roams freely on this release - it's icy, lofty and damn near omnipresent throughout. Working like a constant flow of autumnal power - a way of supporting what all the other instruments are doing in a delicate and airy manner. Add to that, those drums remind me of Michael Giles - you know that jazzy wooden feel that counters everything around it, while at the same time relegating a natural rhythm train, which is tight as hell.
This is indeed an album worthy of all the symphonic fans' attention. Please provide the ad click URL, if possible:. Help Create Join Login. Operations Management.
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