Of the 28 numbers listed in the table of contents, 14 of these are Sacred Concerts with one to five voices and basso continuo, along with 14 instrumental pieces one to six parts with bc.
The informative booklet essay, by Les Sacqueboutiers' Jean-Pierre Canihac, notes similarities with the 'Divine lodi musicali' of Giovanni Battista Riccio and Cima's 'Concerti Ecclesiastici'  which also offer a mixture of sacred motets and instrumental canzone. Recent musicological research tends to suggest that the 'Markuspassion' is not the work of Reinhard Keiser, essentially for stylistic reasons. The St. For the young Bach in Weimar this St.
Mark Passion was a didactic piece for learning the art of the modern narrative recitative: as the Leipzig Thomaskantor he also performed it in Although no one is absolutely sure of the forces employed on that occasion which must have been, at the minimum, four singers, four strings, and a harpsichord , Mirare have decided to assign the four voices of the chorus to three singers per part, with the soloists also taking part in the chorus, except for Jesus and the Evangelist.
The two violins and two violas are joined by a continuo group consisting of organ, harpsichord, cello, violone, theorbo, and bassoon. Listeners of today are often more inclined to prefer his operas. However, there is a wealth of wit, wisdom and joy in Rameau's harpsichord works. Bertrand Cuiller devotes his recital career to the solo harpsichord repertory, with a particular penchant for the English composers William Byrd and John Bull, whose music he has recorded for Mirare and Alpha.
His discography fo rthese labels also includes harpsichord concertos by J. Bruno Procopio "A musician cannot move without being moved himself - it is indispensable that he himself feel the emotions he wishes to arouse in his audience; he must make them understand his own sensitivity to them to be able to share it.
This final quotation is emblematic of Carl Philip Emanuel Bach: clearly his viewpoint went against that of his contemporary Denis Diderot, who held that actors must make the public feel emotions they do not feel, and therefore base their art on distancing. This would have been unthinkable for Bach, for whom sincerity was essential to convince and to move.
Although Baroque music is enjoying a renaissance of popularity, it still has difficulty emancipating itself from certain received ideas. All things considered, no composer is better suited to brush aside this erroneous vision than Carl Philipp Emanuel Bach. Few musicians today possess so much awareness and experience with the music of Luigi Boccherini as Emilio Moreno, or can invest their performances with so much insight. His style had become tauter and more intense, almost Romantic in its expressiveness.
Over the decades Moreno has played chamber works of 'Don Luis Boquerini' with many gifted musicians. Emilio Moreno also provides a thoughtful essay about the composer as he turned 50 and about his music. A comparison of these work groups, so very different in their respective styles, is exciting because they were created at almost the same time. These Quartets are amongst C. Bach's very best creations; he was to die a year after they were composed.
The death of Prince Nikolaus I in late broke Haydn's close ties with the court and he was able to earn a living from his work from that time onward as a freelance artist. The stylistic differences between the two are enormous. In Bach, we find Sturm und Drang storm and stress , Empfindsamkeit sensitivity , contrasts, the unexpected…, in Haydn, alongside his typical wit and moving depth, we find apparent simplicity, clear form, elegance, charm and the cantabile quality of Viennese Classicism.
Johann Kaspar Mertz , originally from Pressburg today Bratislava , lived and worked in Vienna from ; this city was the focal point of the musical world during the first half of the 19th century. Mertz was one of the best-known guitar virtuosos of his time, composing brilliant works for his own use on his numerous concert tours.
In these compositions, he orientated himself on the romantic piano music of Mendelssohn, Schumann, Chopin and especially Liszt, but the influences of Italian Belcanto in the style of Donizetti or Bellini can be clearly heard as well. Many guitarists and composers of the 19th century used instruments with an expanded range. Mertz changed from a six-stringed guitar to an instrument with eight strings, finally settling on a guitar with ten-strings.
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Christmas Music by Candlelight various artists. Christmas Music from Medieval Hungary Anonymous 4. The Christmas Story Paul Hillier. Le Concert royal de la Nuit various artists. Corelli: Christmas Concerto Ensemble Corelli: Concertos, Vol. Corelli: Sonate a violino e violone o cimbalo, Op. Corelli: Sonate Da Chiesa, Op. Corelli: Violin Sonatas, Op. Bach: Magnificat, Wq. Bach: Sonates pour viole de gambe et basse continue London Baroque.
Bach: Symphonies No. Crystal Tears Andreas Scholl. Canciones de las Americas Maria Teresa Uribe. Carlo Tessarini: Introducioni a 4, Op. XI Libri Aura Musicale. Carl Reineke: Fantasy Pieces Op. Cello Encores Miklos Perenyi. Abel: Six Sonatas, Op. Chopin: Ballade No. Chopin: Chamber Music Peter Szabo. Chopin: Complete Preludes Dezso Ranki. Chopiniana Duo Egri and Pertis. Chopin: Mazurkas Alex Szilasi. Chopin: Mazurkas Gyorgy Ferenczy. Chopin: Nocturnes Arr. Mahdi Kadduri. Chopin: Piano Sonata No.
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Chopin: Works for Piano Csilla Szabo. Clarinettist Composers Andras Horn. Classical Attitudes Tamas Szekeres. Clementi: Piano Sonatas Donatella Failoni. Concertos for I. Imre Magyari, Solti Chamber Orchestra. Corelli: 12 Concerti Grossi Op. Corelli: 6 Violin Sonatas, Op. Corelli: Sonatas, Op.
Cornologia 2 Budapest Festival Horn Quartet. Hans Bergmann, Musica Poetica Freiburg. Charles Koechlin: Chansons bretonnes Op. Cherubini: Messe Solennelle Helmuth Rilling. Chopin: Famous Piano Works various artists. Chopin's Diary Pavlos Hatzopoulos. Eckhard Weyand, Capella Vocalis. Christmas Brass Festival various artists. Christmas Season: Favorite Christmas Songs various artists.
Christmas with Michala Petri Michala Petri. Classical Oboe Lajos Lencses. Bach: Flute Sonatas Dorothea Seel. Bach: Magnificat; J. Bach: Missa Brevis Helmuth Rilling. Bach: Piano Concertos various artists. Bach: Piano Concertos, Vol. Stuttgart Brass Quartett. Cui: Piano Transcriptions Alexander Zagarinskiy. Canciones en la Alhambra Mariola Cantarero.
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Clarinet Chamber and Solo Classics, Vol. Paul Drew Drushler. University of Florida Clarinet Ensemble. The Complete Marches of Kenneth J. Alford Barry W. Johnson, Lamar University Symphonic Band. Carl Maria von Weber: Concerto No. Chinook Trio. Chopin on Violin Catherine Manoukian.
Chopin: Piano Trio in G-, Op. Jens Lindemann. Contours Kate Romano. Couperin: Complete Works for Harpsichord, Vol. Chopin: Ballades and Nocturnes Etsuko Hirose. Chopin: Concertos Pour Piano No. Chopin: Journal musical de Chopin various artists. Chopin: Mazurkas Iddo Bar-Shai. Liszt Yulianna Avdeeva. Chopin, Schubert and Prokofiev Yulianna Avdeeva. Chopin: Sonate pour violoncello et piano; Alkan: Sonate de concerto pour violoncello et piano Jan Neuberger.
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Chopin: The 27 Etudes John Khouri. Chopin: The Waltzes Peter Katin. Clara Haskil in Performance Clara Haskil. Clara Haskil. Claudio Arrau. Claudio Arrau in Performance Claudio Arrau. Contemporary American Piano Trios, Vol. Contrapuntal Byrd Colin Tilney. Couperin: Musique de Chambre Musical Assembly. Harold Chaney. Cozzolani: Complete Works, Vol. Ulrike Volkhardt. Camerata Bern Camerata Bern. Caudana: Concentus ecclesiae, Vol. Concerto alla maniera italiana Davide Pozzi. Cesare Siepi: Recital Cesare Siepi.
Cacioppo: Laws ot the Pipe various artists. Carollo: Starry Night various artists.Info for Chin Chin With this new recording, SpiriTango have chosen to take their first steps into the world of jazz, film and contemporary classical music. Iti s also the fourth anniversary of the group, whose energy is most evident in the celebratory title track 'Chin Chin'. Astor Piazzolla (–92) was an infant prodigy on the bandoneon.