Some of them have movements that run into one another without a break, and there are frequent cross-movement thematic references. By the time he was twenty, Mozart was able to write concerto ritornelli that gave the orchestra admirable opportunity for asserting its character in an exposition with some five or six sharply contrasted themes, before the soloist enters to elaborate on the material.
They all exploit and explore the characteristics of the solo instrument. It was the age in which the artist was seen as hero, to be worshipped and adulated with rapture.
Even later passage work is dramatic and recitative-like, rather than merely virtuosic. The cadenza, placed at the end of the development and acting as a link to the recapitulation, is fully written out and integrated into the structure. Each one exploits rhapsodic ideas but is unique in its own form.
The first movement brings the concerto into the realm of symphonic development. This name will appear next to your review. Leave it blank if you wish to appear as "Anonymous". Used to contact you regarding your review. If you do not wish to be contacted, leave it blank. Tell a friend or remind yourself about this product. We'll instantly send an email containing product info and a link to it.
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